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A Big Secret (What Secrets Tell)
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People need secrets because they need the assurance that there is something left to discover, that they have not exhausted the limits of their environment, that a prize might lie in wait like money in the pocket of an old jacket, that the existence of things beyond their ken might propose as a corollary that their own minds contain unsuspected corridors. People need uncertainty and destabilization the way they need comfort and security. It's not that secrets make them feel small but that they make the world seem bigger -- a major necessity these days, when sensations need to be extreme to register at all. Secrets reawaken that feeling from childhood that the ways of the world were infinitely mysterious, unpredictable and densely packed, and that someday you might come to know and master them. Secrets purvey affordable glamour, suggest danger without presenting an actual threat. If there were no more secrets, an important motor of life would be stopped, and the days would merge into a continuous blur. Secrets hold out the promise, false but necessary, that death will be deferred until their unveiling. (Luc Sante "What Secrets Tell", The New York Times, Sunday Magazine, 03Dec00, p.77)
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Tell God your secrets: Go take confession!
 
Read  clear-eyed essay about sentimentality (re: O. Henry, "The Gift of the Magi").
Read  unambivalent essay against ambivalence (sentimentality's siamese twin).
Read about the banality of surprise endings.
Learn why Oedipus's tragedy was not inevitable.
Learn the power of "bracketing" beliefs.
Think about myth.
 
[ Leisure: Luxe, calme et volupte is the basis of culture! ] See also [my page on] Leisure, the basis of culture.
See also [ " " ] Civilization and its Discontents.
See also [ " " ] Philosophy and daily life.
Obviously, there are some things that for good reasons some persons feel they need to keep secret (e.g., if one was a Jew in Hitler's Reich but could "pass" for not being jewish). But these "good reasons" are dependent on bad things. Apart from such misfortunte situations, it seems to me that secrets themselves "help" make life more misfortunate than it needs to be. The famous O. Henry story, "The Gift of the Magi", shows how keeping secrets to try to make others happy can mess up everybody's life. Oedipus's story shows how keeping secrets due to shame, etc. can bring about the very evils one "kept" the secrets to try to avert.
Many secrets aren't even considered to properly be secrets; they're smuggled past us under disguise. It's just obvious that students shouldn't have the answers to the S.A.T. exam before they take it. Then there are the things people make be secrets through personal desire: Like choosing not to read the end of a book first to make oneself be "surprised" at the ending because of self-selected ignorance. The persons could have read the ending first, and then been able to see as they read how well the whole work supports its conclusion -- not to mention getting an early indication whether the whole book is worth reading, or whether knowing how it ends exhausts all it has to say (so that one could skip the rest and do something else with the time that might yield some value)....
As the Times article says: "If there were no more secrets, an important motor of life would be stopped." Teachers could no longer "give" students tests, and book consumers could no longer look forward to surprise endings. Question: But would this cause "the days would merge into a continuous blur" and make the world seem smaller?
I call this way of thinking: a spiritual economics of scarcity. It goes back to ideas like that the world already all exists and that our job is to dis-cover what's already there (like finding the right answers to those S.A.T. exam and other test questions, etc.). But philosophy at least since Immanuel Kant shows that we create our world, i.e., that persons construct what things mean (i.e., what they "are"...). And meaning builds on meaning, so that everything that exists (i.e., everything we already understand...) can be viewed as "raw material" for synthesizing into new, further creative accomplishments (George Steiner: "Most books are about other books").
I propose: Let all secrets be revealed (except for the kind that really do protect persons from harm, like being jewish in the Third Reich)! Let there be [to use Kofi Annan's lovely word which he used in reference to Iraq's programs to develop weapons of mass destruction]: transparency! Let persons be judged not on how good they are at finding out what we have hidden from them, but on how good they are at coming up with previously unimaginable good things to add to -- and, best of all, to: transfigure -- our world. Instead of hiding the afikomen and the kids looking for it, let all try to think of new recipes and other uses for matzoh. At least as important, let us also research and reflect on the meaning persons previously found in hiding and finding the afikomen -- for we may find, in persons' experience of myths and rituals, appealing meanings to try to incorporate into our self-selected form of life, only in more self-aware, self-accountable and creative ways! (Every myth is a resource; every idea anyone ever had is part of a universal semiotic "junk yard": scrap meaning for us to incorporate in our own new productions.)
Secrets do make persons small: the less one is aware of, the smaller one is. Even worse, one's own smallness is encompassed in the bigger perspective of the persons who already know the answers -- which facilitates social power relations of super- and subordination: teachers and students, bosses and workers, governors and governed, etc. Secrets also prevent persons from standing on the shoulders they have not yet become aware of, of the giants that have been hidden from them. I see this, at best, as digging holes for the purpose of filling them up again.
Theorem: Learning cannot really be "discovery learning" unless the teacher does not know the answer and the answer is not in the teacher's guide (and Educational Testing Service (ETS), Princeton New Jersey does not know the answer, either).
Real questions are open-ended, and discovering something nobody knew does not leave one finally feeling that one has finally succeeded in reinventing the[ir] wheel. Without knowing about Leonardo da Vinci's Mona Lisa, Marcel Duchamp could not have created his L.H.O.O.Q. Without knowing about Duchamp's L.H.O.O.Q., I could not have created my I.U.D.T.C.R.[fn.55[ Go to footnote! ]] Without knowing about my I.U.D.T.C.R., you could not create your.... (Also: a new idea is more valuable the more existing things we can relate it to (i.e., transform thru it): Inventing the wheel and applying it to going places and understanding the motions of the starry heavens is a more "substantive" innovation than inventing the wheel and persons only spinning it in idle distraction between their fingers. "An invention" is not a binary thing, as if previously you didn't see it but now you do -- It is more accurate to say that "an" invention is potentially a seed from which may sprout many inventions.)
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[ It's out of the box! ] [ ] The big secret about secrets -- what secrets tell -- can be that we live under conditions of intimidation, where it is not safe to tell (like Jews in the Third Reich). Else secrets may tell that we don't know how to play together creatively: that we are so imaginatively impoverished that the only things we have to share with each other are things we temporarily don't: secrets, "surprises"... and after we do share them, "an important motor of life stops".... [ ]
View:  Leonardo da Vinci's Mona Lisa (La Gioconda). 
Marcel Duchamp's L.H.O.O.Q. [fn.55a[ Go to footnote! ]]
BMcC's I.U.D.T.C.R.

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[ ]
Tell God your secrets: Go take confession!
 
Read clear-eyed essay about sentimentality.
Read  unambivalent essay against ambivalence (sentimentality's siamese twin).
Read about the unsurprising banality of surprise endings.
Learn why Oedipus's tragedy was not inevitable.
Learn the power of "bracketing" beliefs.
Think about myth.
 
[ Leisure: Luxe, calme et volupte is the basis of culture! ] Leisure is the basis of culture.
See also my page on Civilization and its Discontents.
See also my page on Philosophy and daily life.
 
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